December 4, 2020

Old Satanist yells at cloud

Reaction to Mitch Horowitz’s “Good, Clean Satanism,” a review of Anton LaVey’s “The Devil’s Notebook”

It’s interesting that Mitch Horowitz found The Devil’s Notebook to be inspiring when it, along with Satan Speaks show Church of Satan founder Anton LaVey at his most obvious crankiness.

A short version of late-stage LaVey can be be summed up as “old man yells at cloud”.

Simpsons meme of "Old Man Yells At Cloud" newspaper headline, but Grandpa Simpson has been edited to have Anton LaVey's face instead

There are substantive criticisms to be made as well about the kinds of things LaVey ends up whining about, but mainly it just sounds like an aging edgelord complaining about TV, how gun-laws affect “law-abiding citizens” versus criminals, why people who care about the environment are losers, etc. Also there’s some eugenics stuff thrown in, naturally.

If he were alive today, he’d be complaining about “woke” on the Joe Rogan Show, hawking yet another poorly-edited book that read like your standard crypto-fascist blog. Or wearing sunglasses and making videos in a pickup about how the real problem “how easily young people are offended by things today.”

At 14 years old, LaVey has a lot exciting ideas for you. But the more you read him, especially as you get older and more familiar with other writers and thinkers, it’s difficult to arrive at where the author of that article did. For example, Horowitz specifically loved the “Duck Billed Platitudes.”

Here’s one of them:

Like no one has ever had a conversation with a smug contrarian libertarian dude who says “there’s no such thing as a free lunch” and thinks himself a genius?

Now, specifically to the power of ritual, sure, rituals can be powerful for their ability to externalize and make one’s subjective feelings real in a way that resolves them. It makes sense to engage in physical actions, including words, that get stuff out of your head and into the world for you to experience with your senses and bring it back into your head in a different way or leave out there. It makes sense that focusing too much on what you want makes it more difficult to get that, although the comparison to masturbating so you don’t seek out a “lousy lay” is typical.

Even this collection isn’t free from the “gross old man” quality LaVey brings to essentially everything, his pretentiousness married to a tone of undeserved confidence, and, of course, his casual misogyny.  From his essay, “Clothes Make the Slave”:

It goes on from there and ends with the line, “Who says 1984 hasn’t come home to roost?”

Before you call this “progressive for its time”, this collection of essays was published in 1992 when LaVey was 62.

Admittedly, because we find LaVey objectionable as a person and object to the basis of his philosophy (Might Is Right) that he builds everything on top of, we’re never inclined to interpret borderline passages charitably, from his views on sex to women to magic.

But even with that in mind, LaVey is not a gifted writer, not an enjoyable read, and not apparently capable of the sort of humility and self-reflection necessary to grow as a person and find more interesting things to talk about with time. Instead, he used Satanism as a way to pretend he had come up with a philosophy of rebellion, and sank ever-deeper into his ever-more-boring, reactionary grievances.

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